Thursday, 27 March 2025

March 28th 2025

Alliance Francaise French Film Festival: Before What Comes After
Love of an Icon: the Legend of Crocodile Dundee
Spit
Black Bag
Oh, Canada


Three films this week are absolutely worth seeing. Two a bit more ho-hum. If you are interested in end-of-life issues, don't miss the one I've reviewed first here - it has one more week to go at the French Film Festival. And Aussie-philes should adore the next two!

More from the FFF: 
Before What Comes After
Dir:  Costa Gavras
Length: 100 mins
© - FFF - confronting, thought-provoking
and so beautiful
With a more suitable French title, The Last Breath (Le Dernier Souffle), this is an extraordinary, in-your-face, moving look at end-of-life issues from the perspective of a doctor and a philosophical writer. Author Fabrice Toussaint (Denis Poladyles) goes for a routine check up and MRI, only to be told there is a small lesion in his body that must be kept an eye on. From there he forms a friendship with palliative care doctor Augustin Massett (Kad Merad), who takes him on his rounds, so he may better understand the nature of palliative care. Augustin regales Fabrice with stories of his many patients, and their varying approaches to knowing they are ill and near the end, some accepting, some in denial, and fighting every inch of the way, and others accepting it with grace. A topic we all shy away from is handled in a most sensitive way, and not without its humorous moments. Unanswerable questions of human existence are tackled with compassion, along with issues of assisted dying. The critical importance of just listening, especially by the doctor, is underscored throughout. Every character, whether medico or patient, is worth spending time with, and one comes away from this deeply moved, strangely uplifted, and convinced that the word living applies to every moment, right up until the the last breath.
4.5 - wholeheartedly recommended

Love of an Icon: the Legend of Crocodile Dundee
Dir:  Delvene Delaney & Victoria Baldock
Length: 88 mins

© Kismet  - a total delight - homage to a 
legend and to love
The restored version of the 1986 blockbuster phenomenon Crocodile Dundee will hit our screens on May 8. 
During this painstaking project, filmmakers unearthed a treasure-trove of archival material belonging to co-creator John Cornell. Cornell's wife Delvene Delaney co-helms and hosts this heart-warming documentary that is testament to the spirit of mateship, dedication, and "let's go for it" that went into the making of the original film. I did not expect to enjoy this as much as I did. It is a winner of a story, tracing the history of Paul Hogan ("Hoges") and his rise to stardom, starting with his TV show with comedy buddy Strop, played by Cornell. The doco traces difficulties in raising finance for the film, along with umpteen other hurdles. Hoges' leading lady Linda Kozlowski reminisces on their real-life romance, along with the many crew members who regale us with stories of the movie's making. The lovely Delvene holds it all together, creating a lovely tribute to the film and to the enduring love she shared with now-departed Cornell. The many people who were dedicatedly involved and who obviously had such fun making Croc Dundee also make this doco such a delight to watch.
4 - highly recommended

Spit
Dir:  Jonathan Teplitzky
Length: 105 mins
© Transmission - Wenham is sooooo
grouse mate!
In the 2003 film Gettin' Square Johnny "Spit" Spitieri (David Wenham) is a small-time crook and heroin addict. Now, in this sequel, he returns from doing a runner to Italy, but is instantly nabbed at the airport's immigration and thrown into a detention centre, along with a diverse assortments of refugees hoping to get a visa to stay in Australia. Spit likes to be of help, and sets about teaching the refugees an assortment of colorful Aussie slang expressions, which makes for hilarious viewing. The humour starts from the word go, as Wenham, looking like a mega-slob in shorts, thongs and with a permanent cold-sore on his lip, bumbles his way through every unfortunate circumstance of his new incarcerated life. Yes, humor is highly personal, and no, I laugh at very little - but this one had me guffawing out loud. The plot is chock-full of fun little subplots that somehow all work well together. Wenham is totally the part, while smaller roles of the bad guys (David Field and Gary Sweet), along with a lovely performance by Arlo Green as asylum seeker Jihad Khalif are all well executed. If you're not into Aussie humour you may not like it, but I loved it.
4 - highly recommended

Black Bag
Dir:  Stephen Soderbergh
Length: 93 mins
© Universal - two top actors go into
the spy business - where do their
loyalties lie?
Katherine Woodhouse (Cate Blanchett) and her husband George (Michael Fassbender) are secret agents. When it's discovered there is a traitor in the ranks, and Katherine is one of several under suspicion, George must decide where his loyalties will lie. Have I told you I'm a spy-plot-klutz? Many times! So, as always, I had a spot of bother following the plot, but I have to admire the acting from two such revered performers in the lead; both cool, calm, collected and full of dry wit. Supporting cast featuring the likes of Naomi Harris, Tom Burke and Pierce Brosnan keep a high standard, but somewhere in the script the plot lacks the suspense needed to keep it edgy. The look and lovely color pallette are perhaps my strongest impression, of a film that is indeed watchable but not ultimately memorable. Soderbergh is an esteemed director, but I much preferred his recent and more original supernatural tale Presence.
3 - recommended

Oh, Canada
Dir:  Paul Schrader
Length: 105 mins
© Transmission - Gere's Fife tells all before
he dies
Leonard Fife (Richard Gere) is dying. As a documentary maker, he decides he needs to tell his life story in film, uncensored and revealing harsh truths about his past affairs and his dodging of the Vietnam draft. As some of his ex-students man the cameras, and his current wife Emma (Uma Thurman) watches on in distress, he tells his story and progressively weakens. The film's basic premise has potential - an end-of life confessional - but the narrative structure turns it into a dog's breakfast. The times leaps are beyond even an Olympic long-jumper, with not only Jacob Elordi playing the young Leonard, but sometimes Gere transplanted as an old man into his youthful past. A totally unnecessary structure. And while I was initially impressed with Gere's gaunt-faced delivery, I rapidly tired of his endless sighs, confused demeanour and eye-rolling. In a massive paradox, the film gets a Palme D'or nomination at Cannes, and a Worst Foreign Actor nomination for Gere.
2 to 2.5 - maybe (bordering on don't bother)



Wednesday, 19 March 2025

March 20th 2025

Flow
Bob Trevino Likes It
The Return
The Alto Knights
The Rule of Jenny Pen


I know I say this every week but it truly is an excellent week for new cinematic releases. The winner of Best Animation at this year's Oscar's is unmissable, Ralph Fiennes returns as Odysseus, horror lurks in a care home, de Niro plays two roles in a mobster movie, and your heart will soar and break with Bob Trevino.  

Flow
Dir:  Gints Zilbalodis
Length: 85 mins
© Madman - sublime, unmissable - speaks
to us all without words
It's not often that an animation speaks to a universality of experience and understanding, cutting straight through to everyone, without a single word being spoken. That's how it is with this film, which just won Best Animated Feature at this year's Oscars. It is set in a world where some sort of cataclysm has occured and water has submerged much of what human society has created. A cat, being chased by a group of dogs, jumps onto a passing sailboat, inhabited by a sleeping capybara (a sort of giant South American guinea pig). Eventually the little group is augmented by a lemur, carrying a basket of precious trinkets, a friendly labrador, and a large white bird. Together this motley crew of diverse species must learn to cooperate and adapt to survive. The amazing merging of handpainting with CGI work captures exactly the idiosyncratic movements of each animal, while their sounds have apparently been created from recordings of the actual creatures themselves. We see elements, parable-like, of our own personalities in each of the creatures, and while the plot itself is deceptively simple, there is also a huge depth of what could be perceived as philosophy, or even spirituality, somehow commenting, wordlessly, upon the state of every being on the planet. If that's all sounding too amorphous, simply know that this film is quite sublime and like nothing you have ever seen. Just marvellous. 
5 - unmissable

Bob Trevino Likes It
Dir: Tracie Laymon
Length: 102 mins
© Rialto - friendship, reconnection and
sheer goodness 
Lily Trevino (Barbara Ferreira), abandoned by her mother at age 4, is constantly at pains to please her disapproving, neglectful father, (French Stewart) whose behaviour is like that of an overgrown child. She lives in as a carer to wheelchair-bound Daphne (Lauren 'Lolo' Spencer).  One day, while looking up her father's name on Facebook, she finds a Bob Trevino (John Leguizamo) and contacts him. Bob is a hardworking construction manager, whose wife Jeanie (Rachel Bay Jones) makes scrapbooks to ease the pain of a child they lost. Bob has no friends, until the unexpected Facebook message turns up, changing his life. Winner of more than a dozen audience awards, this film is a total crowd pleaser, but not in a mawkish or manipulative way. It is the simplicity and kindness of the story that wins hearts. What's more, it is based upon the director's true experience. As she explains, her meeting with Bob in real life, and the establishment of a beautiful friendship, helped to heal them both. For Lily (and director Layton), it is about finding a place to belong, a chosen family where acceptance and love take pride of place, 
rather than the rejection of her biological father. Long-established actor Leguizamo captures the essence of a truly kind and generous-spirited human being, as does new-comer Ferreira, whose fresh-faced Lily captures one's heart. A small and unassuming film, this is a true gem.  
4.5 - wholeheartedly recommended

The Return
Dir: Uberto Pasolini
Length: 116 mins
© - Fiennes slims down and muscles
up for Odysseus 
A mainstay of classical literature is the The Odyssey, the legend of Odysseus, the mythical Greek king who fought the battle of Troy then returned home to his wife ten years later. Homer's tale is full of such Greek characters and gods as the Cyclops, Poseidon and the Sirens. Not so in this starkly realistic retelling of the story. Odysseus (Ralph Fiennes) washes up on a beach, emaciated and naked. Eumaes (Claudio Santamaro) nurses him back to health, and tells him of what has been happening in his absence. Odysseus' wife Penelope (Juliette Binoche) is besieged by suitors wanting to steal the kingdom and wealth, but she wards them off, desperately hoping for the return of her beloved husband. Meantime son Telmachus (Charlie Plummer) is alive only because his mother has not yet remarried. Battle-weary and sick of killing, Odysseus must regain his strength and try to retake his place as King of his beloved island Ithaca. Rather than celebrate an epic action tale in all its mythological glory, Pasolini chooses to tell a more sombre and psychologically compelling story of human ambition, rivalry, power-grabbing, and loyalty; all issues alive and well, still relevant to today's political scene. Central to it are the performances from two of today's top actors, and Fiennes especially is jaw-dropping in his commitment to becoming wiry and lean, totally convincing us of what the world-weary king has been through. Some viewers will be looking for more overt action; I loved the understated approach. 
4 - highly recommended

The Alto Knights
Dir: Barry Levinson
Length: 120 mins
© Universal  - de Niro show his acting chops
in the two lead roles
Robert de Niro has starred in plenty of movies featuring the Italian-American mafia. And this time he stars twice, playing both lead roles! This latest film is based upon the true story of two 1950s New York crime bosses, Frank Costello and Vito Genovese, firm friends since childhood. But now, after rivalries and jealousies, they are locked in fierce conflict. Vito wants to do the things like in the old days of prohibition, paying off cops and politicians, while Frank is more aware of the changing times, and the threat of prosecution, and presents as alamost a "respectable" mobster. The train of action he sets in motion will radically change the New York mobster crime scene. The biggest problem for me with this film is having de Niro in both lead roles. While he is, as always, simply superb, I let my concentration lapse too much studying the make-up to see how his face had been transformed to play Vito. Once I overcame that hurdle, I settled into deep engagement with the plot and the main characters, and really enjoyed Levinson's directorial style, which includes intermittent use of vintage film footage and photos from the era. The settings are impressively recreated, with stylish old mob-style cars, scenes of  street life in the Italian quarter, and of course the social clubs, meeting grounds for crime bosses to discuss their nefarious exploits. (Alto Knights is in fact the name of one of those clubs.) A fellow critic lamented there wasn't enough violence, and too much talk, but I liked this approach. Frank's voice-over narrates much of the story, which highlights the different personalities of the two men, and of course showcases de Niro's talent in creating such divergent characters. There are more hard-to-differentiate mobster bosses than you can shake a stick at, but the main supporting cast are strong, with Cosmo Jarvis (recently in Aussie film Inside) memorable, as are Deborah Messing as Frank's elegant wife Bobbie, and Kathrine Narducci as Anna, Vito's wife. The soundtrack is most fitting with a mix of early rock'n'roll and old big band swing, plus a strong base score which heightens the tension throughout. A strong film to add to the mafia mob catalogue.
4 - highly recommended

The Rule of Jenny Pen
Dir: James Ashcroft
Length: 104 mins
© Rialto - creepy psychopath is terrifying
other aged care residents
As if nursing homes and the like are not nightmarish enough in themselves (probably not all, but there are plenty of horror stories around), imagine if a psychopathic resident prowls the corridors, terrorising residents with a hand puppet! Judge Stefan Mortenson
(Geoffrey Rush), an arrogant man very much in charge of his own life, suffers a stroke and is sent to a care home for his recovery. There he encounters long-term resident Dave Crealy (John Lithgow), a sadistic creepy guy who delights in intimidating other residents, making them declare that his nasty little hand puppet, Jenny Pen, rules the roost. Stefan is in a nightmare, patronised and disbelieved when he complains of the horrific things that are happening to him and his roommate Tony (George Henare) every night. The setting is depressing and claustrophobic, with the residents' mental disarray etched large in every scene. The film deftly exploits all our fears of incapacity, old age and having no control of our lives or bodies. Stefan will finally take Crealy on, even within the confines of his now disabled body. This is truly an acting tour de force from two titans who dominate the screen. Lithgow is perfectly cast as this frightening man, and it's great to see Rush back in top form. But there are some serious plot holes, the biggest being that we are expected to believe the staff would have no idea of what Crealy is up to. The film could also have been more tightly edited, but despite these flaws its basic premise is incredibly chilling, and the two leads are well worth watching.
3 - recommended



Wednesday, 12 March 2025

March 13th 2025

Mickey 17
No Other Land (streaming) 
Birrarangga Film Festival
More from the French Film Festival

It's all happening this week. A terrific First Nations film festival, the French Film Festival continuing, the Academy Award-winning documentary streaming, and a fun new release that's funny and satirical. 

Mickey 17
Dir:  Bong Joon Ho
Length: 137 mins

© Universal - plenty to laugh at and 
plenty to think about with a great perf
from Robert Pattinson
Mickey Barnes (Robert Pattinson) and his pal Timo (Steven Yeun) are being chased by debt-collectors. What better thing to do than apply to go off-world and be one of the founding members of a new colony on the planet of Niflheim? Trouble is, Mickey doesn't read the disclaimer carefully, and ends up being an "expendable" - a scientific guinea pig who dies over and over, but is simply reprinted the next day, with his personality and memories intact. The messianic leader of the space expedition, Kenneth Marshall (Mark Ruffalo), and his wife Yifa (Toni Collette), have great aspirations for the new colony (and their own power), but first must get control of the native inhabitants, a sort of armadillo-shaped, tentacle waving, but highly intelligent creature. This may not be as bitingly satirical as Bong's award-winnning Parasite, but it has a very funny and pointed dig at so many negative aspects of today's world, its politicians and the human species overall. The film is a mish-mash of many genres: sci-fi, satire, at times veering into slapstick, but the imaginative scripting makes it never less than highly engaging. Of course it also makes us think of what damage humans seem to do wherever they go, which is ultimately quite depressing. Regardless, this timely film will give you a terrific laugh, while enjoying Pattinson's impressive performance.
3.5 - well recommended

No Other Land
Dir:  Yuval Abraham, Basel Adra & Hamdam Ballal
Length: 92 mins
Streaming only on DocPlay
© DocPlay - an Israel/Palestine story
you won't get every day in the news
You've heard plenty about Gaza, but probably not much about Masafer Yatta, a collection of more than a dozen tiny villages near Hebron in the occupied West Bank. Its residents are mostly farmers and herders, people who have lived there for decades. Israel doesn't want them there and has been systematically destroying their homes and meagre farms, so as to put IDF training facilities in, or to allow settlers to build on the land. Basel Adra is a Palestinian journalist and lawyer (though he has no work) who has become an activist and filmaker, documenting over years the attempts of Israel to displace his people. Yuval is an Israeli investigative journalist who speaks Arabic and has teamed up with Basel to bring this story to the world.  On one level they have succeeded, as the film has more than 100 wins and nominations to its name, including the big one, Best Documentary Feature at this year's Oscars. 
It's hard to describe the emotional clout a film of this nature has; at once upsetting, infuriating, but with a tiny shred of hope. The sorts of criminal acts committed by soldiers against the villagers are beyond belief - people shot for trying to prevent their building tools from being taken, their cars stolen by the IDF, water wells being filled with concrete, along with the endless bulldozers demolishing the modest homes. Despair is everpresent, alongside tenacity. The tiny ray of hope comes from two brave men from "opposite sides" of the conflict, demonstrating that there can be room for collaboration, friendship understanding, and the courage to stand against injustice.
4.5 - wholeheartedly recommended

Birrarangga Film Festival
March 13-23
Various cinemas throughout Naarm (Melbourne)
For all the information you need visit https://www.birrarangga.world/

Curated by Tony Briggs, the writer of hit film The Sapphires, this festival celebrates Indigenous film from around the world. The films explore strength, resilience and the environment in relation to First Nations peoples, and many of them demonstrate the strong similarities between various Indigenous cultures worldwide. More than 150 feature films, short films, and immersive experiences will be presented from countries as diverse as Australia, Canada, New Zealand, Finland, Peru and many more. Some films have already had cinematic releases, so this makes a great opportunity to catch up with what you've missed. Many others are fresh off the cutting room floor. 
Worthy of mention are:

Singing Back the Buffalo: We call them bison, the Cree peoples of the Great Plains call them buffalo. Either way this noble beast which once roamed the plains, and was so important to Indigenous culture, was almost wiped out by the white man. This doco looks at how the tribespeople have managed to bring back the great herds. There's quite a bit of voice-over philosophy and spirituality, giving an insight into how important the land and its creatures are to the Indigenous Americans.

Before the Sun: Logan Red Crow is a young woman of the Siksika tribe. She has grown up around horses and competes in what is possibly the world's most dangerous horserace - the bareback relay at the Calgary Stampede. This exciting doco traces her aspirations to be a top rider, competing in a male-dominated world. It also beautifully documents the way her father and brother support her dreams. For people who love horses and want to see some of the glorious scenery surrounding the horse ranches (not to mention the stunning horses themselves), this is a fine film to see. 

The Tundra Within Me: 
The Sami come from what used to be known as Lapland, the far northern regions of Finland, Sweden, Norway and Russia. They are traditionally reindeer herders, with men mostly being the top dogs in the business.  The low-key, gentle story is about Lena, a Sami woman, once a herd manager, who left her homeland years ago to become an artist in Norway. She returns for a time to do a gender-focused project about women in reindeer management. When she meets herder Mahtte, and they start a relationship, she needs to decide what direction her life will take. A tender love story, with a telling look at gender roles in a traditional society, this is worthwhile viewing.

Limbo
Detective Travis Hurley (Simon Baker) is sent to the outback opal mining town of Limbo to investigate a 20-year-old cold case of Charlotte, an indigenous girl who went missing. The police hadn't cared, and when they finally investigated had tried to pin the blame upon local First Nations men, even implicating Charlotte's brother, Charlie . If you missed this finely crafted, haunting film when it had its mainstream release, here's your chance to catch it. Director Ivan Sen shoots in black and white creating a noir feel. The setting location of Coober Pedy is perfect and Baker is compelling as the world-weary Hurley. There is much pain in the story - that of fractured families and a justice system that continually ignores or mistreats the First Nations people. 


Ka Whawai Tonu
Movies in Maori language are rapidly gaining in popularity. This latest film uses as its historical basis the Battle of Orakao in 1864, a bloody affair, as two traditionally warring Maori tribes team up to slug it out with the Brits. Fictional characters bring a more personal focus to the tale. Two teenagers who feel alienated from their people try to survive and rescue others in the face of the brutal slaughter. One feels the pain of individuals and the Maori people at large, however some of the violent battle scenes tend to overpower. Heavyweight NZ actors Cliff Curtis and Temeura Morrison bring their talents to bear, the two young leads are strong, and like many First Nations stories, this one throws light on an important chapter of a dark history.


The ConvertMost famous for directing Once Were Warriors in 1994, Lee Tamahori helms this impressive drama set in the 1830s. NZ at that time was Maori-dominated; wars raged between tribes, and a few fledgling British settlements were establishing themselves. Thomas Munro (an excellent Guy Pearce), a man with a violent past and now a lay preacher, is sent to the settlement of Epworth. En route he witnesses Maori inter-tribal savagery, and saves the life of a young woman, Rangimai (Tioreore Ngatai-Melbourne), who he takes into his care. Munro soon discovers the racism and entrenched anti-Maori sentiment among the British colonists, as he becomes further estranged from those he was sent to minister to and more involved in trying to broker peace among the Maoris. The film has been called one of the most authentic filmic depictions of pre-colonial Maori culture, with fabulous production design along with costumes and sets that bring that world to life.  All performances from leads and the many significant tribal warriors are authentic, and the many battle scenes are chillingly brutal. This is a most worthy examination of important issues of colonialism, violence and faith.

More from . . . 
Alliance Francaise French Film Festival
Melbourne : Until April 9
Venues: Palace cinemas
For other states' dates, bookings, and venues, visit: affrenchfilmfestival.org

I've previewed more and they are indeed to be recommended. 

When Fall is Coming
: Sublime! There's no other word for Francois Ozon's latest film, dealing with three generations and the resentments of the past. The film is suffused with secrets, recriminations, chances to start anew and the love and kindness between an ageing grandmother and her 
beloved grandson Lucas. Set in the idyllic countryside of Burgundy it is the story of Michelle, who spends her languid days foraging for mushrooms with her best friend Marie-Claude. But when daughter Valerie turns up with Lucas, and a tragic mistake is made, old enmities are rekindled. When Marie-Claude's son Vincent gets out of prison, Michelle sees a new purpose in her life. Intertwining friendships are the heart of this, underpinned by an exceptional lead performance from Helene Vincent. You'll need some tissues for this one! 

The Divine Sarah Bernhardt: Sandrine Kiberlain gives a mesmerising performance as the woman once considered to be the finest stage actress in the world. In this lavish production we first meet Sarah near the end of her life, in the Paris of the 1920s. It was a decadent era, filled with Bohemian artists, and Sarah was their darling. The film's timeline moves back and forth through the years to portray a most volatile and flighty personality, along with the most scandalous episodes in her life.  Her undying love for fellow actor Lucien Guitry (Lauren Lafitte) is a central part of the story, along with the countless sycophants and decadent characters that waft in and out. Settings and costumes are absolutely sumptuous.  

Saint Exupery: This is the true story of the author of the famous children's book The Little Prince. Antoine Saint Exupery (Louis Garrell) flies planes in Argentina for France's Aeropostale. After he flies too high over the Andes and crashes into the sea, he is rescued by his best friend Henri (Vincent Cassell). So when Henri goes missing over a high mountain range, Saint Ex defies common sense to head off to try to rescue him.  This is an inspiring story of friendship and bravery, with absolutely breathtaking sweeping cinematography shot on location in Patagonia. There's also plenty of heart-stopping plane action. Diane Kruger adds romantic interest as Henri's devoted wife, and overall this makes for seriously entertaining viewing. 

Tuesday, 4 March 2025

March 5th 2025

Hard Truths
My Melbourne
Every little Thing
Alliance Francaise French Film Festival

With the French Film Festival upon us, it's time to publish a little early. I expect to bring you more reviews over the weeks that it runs. It's another terrific week for movie lovers. 

Hard Truths
Dir:  Mike Leigh
Length: 97 mins
© Mushroom Studios /Reset Collective - another
Mike Leigh slice of British life
Mike Leigh reunites with his lead actress from Secrets and Lies, Marianne Jean-Baptiste, who gives a searing (if at times infuriating!) performance as Pansy, a wife and mother who constantly complains, criticises, picks fights with strangers, and generally alienates everyone around her. Her hardworking husband Curtley (David Webber) and slacker son Moses (Tuwaine Barrett) are always in her firing line, and the only person who seems to have a shred of compassion for Pansy is her sister Chantelle (Michele Austin). When the sisters visit their mothers' grave, there seems to be a slight shift in Pansy's outlook, encouraging us to question the whys of her endless malcontedness. We may laugh at her incessant griping, but what starts out as vaguely humourous settles into a darker and deeper look at what makes people tick, their strengths and frailties, and how they learn to tolerate each other. A typical Leigh "slice-of-life" drama that may well lead us to examine our own attitudes to life, asking ourselves whether we are in the "glass half-full or half-empty" department.
4 - highly recommended

My Melbourne
Dir:  Imtiaz ali, Kabir Khan, Rima Das & Onir
Length: 100 mins
© Mind-blowing Entertainment - four moving
and insightful stories 
There's something exciting about seeing one's own city up on the big screen. And it's even more engaging when the stories are something fresh and original, as is the case here. Four established Indian film-makers have collaborated with emerging film-makers in Melbourne to bring us four loosely connected short films dealing with issues around sexuality, gender, race and disability. Each story has been inspired by true events. 
Nandini is the story of a gay Indian man, Indraneel, living with his lover, something which his conservative father over in India highly disapproves of. But when Indraneel's mother dies, her last wish is for her ashes to be scattered in Melbourne. The father arrives, bringing ashes and hope for reconciliation. This is a tender and gently told story. 
Jules focuses upon two totally different women. Sakshi is a young woman recently arrived in Australia with her dominating husband, and working as a kitchen hand in a Melboune restaurant. When she meets a homeless woman, Jules (Aussie actress Kat Stewart), things start to turn around in Sakshi's life, as she gains confidence to stand up for her rights. 
Setara tells an inspiring story of a young Afghani refugee who has emigrated here with her mother and sister. Her school sports coach (played by legendary cricketer Brad Hodge) recognises her skill as a cricketer, but Setara must defy her mother's disapproval to pursue the sport she loves. It's a lovely tale of becoming recognised and accepted. 
Emma: Finally, the fourth story in the film features a young deaf dancer who faces self-doubts and  discrimination in the industry, until she meets Nathan, a profoundly deaf dancer who teaches her the discoveries she can make in the silence. All four episodes work really well, are beautifully and truthfully scripted and finely acted. As well as giving local creatives a chance to work with the finest Indian directors, this moving and insightful film entertains while highlighting people in our city who have so much to give but are often overlooked.
4 - highly recommended


Every Little Thing 
Dir: Sally Aitken
Length: 93 mins
© Umbrella - a story of compassion and tiny
resilient creatures of great beauty
Bird lovers should not miss this shimmering documentary about hummingbirds, and a big-hearted woman from Los Angeles who devotes her life to caring for those creatures which fall from the nest or are otherwise injured. Terry Masear has a homemade bird hospital, and filmmaker Aitken (an Aussie documentarian) sets up her camera to track the progress of several feathered friends, from admission to release. Each bird is given a name by Terry, so their tiny personalities soon become utterly endearing and, as a viewer, we become invested in the fate of each individual. The close-ups and slo-mos of the amazing avians are stunning, as is all the cinematography. Impatient viewers probably won't enjoy this type of film, but it feels like a little ray of hope, caring and compassion in a world that seems to be heading in a more heartless and uncaring direction. 
3.5 - well recommended


Alliance Francaise French Film Festival
Melbourne : March 5 - April 9
Venues: Palace cinemas
For other staes' dates, bookings, and venues visit: affrenchfilmfestival.org

One of Australia's favorite film festivals rolls around again! The 36th AFFF presents 42 outstanding films. As always, it encompasses the gamut of genres, from blockbusters like The Count of Monte Cristo, to intimate life stories such as When Fall is Coming, through to such action thrillers as Elyas, zany comedies like Scammers, and some strong biopics about the likes of Sarah Bernhardt, Charles Aznavour and Maria Schneider. I've started my previewing and bring you several to consider, with more to come over the weeks of the festival.

Elyas
:  Want a nail-biting, heart-stopping thriller?  Special forces veteran, Elyas (Roschdy Zem), is haunted by his past in Afghanistan, but accepts a job as a bodyguard to an Arab family from Saudi. He must protect the mother Amina (Laetitio Eido) and her young 13-year-old daughter Nour (Jeanne Michel), though from what only gradually reveals itself. As 
Elyas starts to bond with his young charge, the intricacies of the plot develop, and the tension ratchets up. Elyas must revisit all the skills he learned in combat. At times things get pretty brutal and violent, but the film retains a lovely grounded central relationship between the taciturn, battle-scarred man and the frightened young girl. 

Bolero
: In 1928, Russian dancer Ida Rubenstein commissioned a young French composer to write a short piece of music for her, stipulating that it be highly erotic. And so Maurice Ravel composed a 17-minute piece of music that, apparently, is played around the world today once every 15 minutes. That piece is Bolero and this is the story of the man who created it. Raphael Personnaz embodies the melancholy composer, full of self doubt but mentally scouring his surroundings for the sounds that will both haunt him and inspire his iconic piece. Emmanuelle Devos is pianist and Ravel's supportive friend Marguerite, while Doria Tillier adds a poignancy as the beautiful Misia, an unattainable romantic interest for Ravel. Jeanne Balibar acts and dances sensually as Rubenstein. Director Anne Fontaine is skilled at capturing a historical period, and the movie is an intriguing look at a sad man, who composed many fine works but seemes ultimately defined by the one iconic piece. 

Being Maria
: If you're as old as I am, you may remember the 1972 film, Last Tango in Paris. Starring Marlon Brando and a 16-year-old Maria Schneider, it caused a furore becaus
e of one controversial sex scene. This is the story of a young naive actress, who escapes her mother's influence and falls under the spell of Brando and the director of Last Tango, Bernardo Bertollucci. Anamaria Vartolomei is perfectly cast as the effervescent alluring young girl, whose experience on set is a turning point which damages the rest of her life. In the #metoo era, especially where movie-makers are under close scrutiny, this is a highly releveant and disturbing film. It also asks the question of just what is acceptable in pursuit of art. A fine biopic, with an impressive performance by Matt Dillon as Brando.

Scammers: Often, English-speaking film-makers remake French films; this one is a French remake of an Irish film, Waking Ned Devine. On a tiny island off the coast of Brittany, two old best friends, Jean-Jean and Henri, discover that the lottery has been won by one of the few people on the island. They set out to discover who, but when they find the owner of the winning ticket dead in his chair, ticket in hand, they set up a convoluted scam to get their hands on the money. I don't usually enjoy French comedies, but I laughed a lot at this one, and the main characters are so likeable and the Bretagne scenery so lovely, that it's hard not to simply enjoy the film's light-heartedness. 
 
The FFF is of course wholeheartedly recommended!!